en construction
Art Residency JCE BIENNALE (Paris)
October 2017 - January 2018
Works selected for
--> <35ART (Sala Parés Barcelona; FAC Grecco 2 Madrid)
--> Redis
A series of works conceiving “construction as self-construction” – or the transformation of oneself through making, measuring and counting.
"Les restes" piece purchased by Sabadell Bank Foundation
a(r)mour
Exhibition at L&B Gallery, ARTNOU FESTIVAL (Barcelona) 28.06.2023-15.09.2023
Prize WITTMORE (ARTNOU 2023)
Exhibition at Hotel Wittmore Barcelona (28.01.24-31.04.24)
“I am interested in the idea of armor as an object of “aïllament” of the surrounding world, and according to the part of the things it protects. The armor is, now, a defense, a “transfiguration” of the cos in questioning the relations between our cos - with the center and space of foreseeable control - and in relation to the others - periphery and space of incertain lack of control - . The dichotomy between the interior-centre and the exterior-peripheral-is not so evident when it comes to relating to each other and crossing the limits of the things, when the proximity and distances are obscured and become vulnerable. . The object trobat is converted into a prelude, an introductory piece to a series of textile sculptures that strike a balance between vulnerability and protection, (de)construct the concepts to create new imaginations.”
A(r)mour - Silueta
Metaphorically, the armour represents that wall we build around us to protect ourselves from the outside and from ourselves. In the video piece, I place the armour in front of the body through the repeated action of holding the armor in front of my body with a thread .With this visual exercise, I try to present the armour as an element that, although it always accompanies us, seeks a balance between vulnerability and protection, by appearing and disappearing. The idea is to create a space where body and armor coexist.
Embracing limits I-VI
This conceptual confrontation, between vulnerability and protection, is translated into a material confrontation, where I create dialogues in between new found objects and textiles. The “Embracing Limits” series is made up of found objects, made from hard and rigid materials, and fragile fabrics emerge from them. With this confrontation of materials I seek a harmony between the materials and a balance in which the materials can coexist. The fabrics are treated directly on the found objects using the bobbins lace technique.
The new encounter with two palm trees, allow me to think about two possible body armours. This time I’ve placed the body in direct confrontation - touching - the object in order to create a new interaction in between vulnerability - related to the body- and protection - relacted to the object of the armour-. The armours are dressing and undressing the body in order to reach a balance where the body can transit and cohabit with the armour.
Cuirassa I
Ensemble I
Cuirassa II
Ensemble II